Any experienced focus puller also known as First Assistant Camera or 1st AC, won’t hold an opposing view of the fact that DSLRs already outweigh the professionals of film camera on the production lines. And the admiration with which they’re released and also adopted is simply unbelievable.
Are you really concerned about all that obsession? What you are looking to is receiving a telephone call from the producer, grab the gig, ensure it is to the set promptly, and there you go – do what you’re good at – pulling focus. It hardly makes a difference what camera you decide to showcase your great talent.
There are three creative ways when adapted, make focus pullers survive in the digital cinema they’re so fond of. Well, these adaptations might seem like taking a walk in the park for you, but don’t you forget each of them will play their respective role in your path leading to an excellent career.
1. Comprehend Digital Procurement and Formats – There are some focus pullers who’re getting into their journey leading to the planet of the digital cinematography at this moment. It creates suddenly so clear that they can undergo the proper training. Moreover, they’ll become proficient when operating a digital camera.
Have you been in this game for a long time? Then it will not be the case. There are endless digital cameras that experienced a big change from the grass root level. For the reason that these cameras were apply by productions with an unhealthy budget.
As time passed by, the format was adopted a high amount of prominent Hollywood productions. So, this implies that there are several 1st ACs who’ve not much experience with digital. Their experience is nearly next to none.
“In theory, there’s hardly any change in the work: Laying marks do not change, criticism still seems simple, and pulling focus isn’t smooth. But you have to comprehend a completely different set of technical information. Generally, it is advisable to grasp the fundamentals of how image sensors operate, which cameras shoot the many file formats and a lot more.”
You always have to be prepared to deal with any problems (arising out of nowhere). Maybe you won’t ever consider the idea of crack opening a digital camera to fix it throughout a shoot, it’s important that you should understand how it functions on the inside.
A focus puller needs to be the (go-to) technical person for all things regarding the camera.
Make a Sound Investment in Digital Specific Gear – The most obvious question people ask is what gear they ought to have in their toolkit. Well, it depends on what kind of a camera an individual uses to shoot on.
P.S – The tools that are used for a film camera seem different than the ones used for a digital camera. Needless to say, there’s overlap, but you must know that there’s gear which is specific to one format.
Here are some items which focus pullers have in their bags which are stringently found in digital productions:
Audio Cables and Adapters
USB Lens Light
Memory Card Readers (SD and CF)
Well, it’s good to know information that none of the above-listed items are essential on a film set, but they’re good stuff to have (just in case).
Looking to continue to work in this industry? Then you’ll have to make investments in the forms of tools you need which you can use for digital cameras specifically.
3. No Need to Work with More Rehearsal Time – Likely to criticize me for this one? Remember that I’m working for you no matter what. cinema distribution Not only do rehearsals play a very important role for focus pullers but they’re also imperative to film crew. Once you practice a shot, it not only helps you establish a flow but fix mistakes aswell. Not only that, it’ll also assist you to shorten enough time actually spent when shooting.
Ed Colman, an exceedingly talented cinematographer, once said: “While you are told to ‘shoot the rehearsal’ it’s not a rehearsal anymore.” However the undeniable truth (sounding unfortunate) is that rehearsals have become a priceless entity.
With digital camera models, both directors and assistant directors feel there’s no harm when it comes to rolling on the rehearsals. Even producers think alike. And when the rehearsals are being rolled on by these experts, they would like to record it.
Has the footage been thrown in for being shot? Has the slate been clapped? Well, you’re virtually taking a plunge directly into Take One whatever you call it.
Want to maintain your existence in this industry for long? Then you have to make sure that you pick up all you need. You should even learn how to cope with the added pressure without rehearsals. However, there will be a constant dependence on rehearsals for several shots. And you will have times when you’ll be able to have one.
Don’t forget that almost always there is be a desirable need for Focus Pullers or First Assistant Camera, and crew who’s well alert to the technical side of the camera are designed for it without hassles.
In the end, it’s you who has to judge how you’ll adapt you to ultimately the ever-changing industry.